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The Allman Brothers Band - At Fillmore East [Deluxe Edition]
[1971 / CD / FLAC / Lossless]
At Fillmore East
Live album by The Allman Brothers Band
Released July 1971 [1971-07]
Recorded March 12, 1971 [1971-03-12]?March 13, 1971 [1971-03-13] Fillmore East, New York
Genre Blues-rock, southern rock
Length 76:26
Label Capricorn
Producer Tom Dowd
At Fillmore East is a double live album by The Allman Brothers Band. The band's breakthrough success, At Fillmore East was released in July 1971. It ranks Number 49 among Rolling Stone magazine?s 500 Greatest Albums of All Time[1] and remains among the top-selling albums in the band?s catalogue. It is often cited as being one of the most well-known live recordings in history
Recorded at the Fillmore East concert hall, the storied rock venue in New York City, on Friday and Saturday March 12, 1971?March 13, 1971, it showcased the band's mixture of blues, Southern rock and jazz. The cover of Blind Willie McTell's "Statesboro Blues" which opens the set showcases Duane Allman's slide guitar work in open E Tuning. "Whipping Post" became the standard for a long, epic jam that never lost interest [opening in 11/8 time, unusual territory for a rock band], while the ethereal-to-furious "In Memory of Elizabeth Reed", with its harmonized melody, Latin feel and burning drive invited comparisons with John Coltrane [especially Duane's solo-ending pull-offs, a direct nod to the jazz saxophonist].
The album was produced by Tom Dowd, who condensed the running time of various songs, occasionally even merging multiple performances onto one track. At Fillmore East peaked at #13 on Billboard's Pop Albums chart.
Recorded at the Fillmore East concert hall, the storied rock venue in New York City, on Friday and Saturday March 12, 1971?March 13, 1971, it showcased the band's mixture of blues, Southern rock and jazz. The cover of Blind Willie McTell's "Statesboro Blues" which opens the set showcases Duane Allman's slide guitar work in open E Tuning. "Whipping Post" became the standard for a long, epic jam that never lost interest [opening in 11/8 time, unusual territory for a rock band], while the ethereal-to-furious "In Memory of Elizabeth Reed", with its harmonized melody, Latin feel and burning drive invited comparisons with John Coltrane [especially Duane's solo-ending pull-offs, a direct nod to the jazz saxophonist].
The album was produced by Tom Dowd, who condensed the running time of various songs, occasionally even merging multiple performances onto one track. At Fillmore East peaked at #13 on Billboard's Pop Albums chart.
1."Statesboro Blues" [McTell] ? 4:17
2."Trouble No More" [Morganfield] ? 3:43
3."Don't Keep Me Wonderin'" [G. Allman] ? 3:27
4."Done Somebody Wrong" [Lewis, Robinson, James] ? 4:33
5."Stormy Monday" [Walker] ? 8:48
6."One Way Out" [Sehorn, Williamson, James] ? 4:56
7."In Memory of Elizabeth Reed" [Betts] ? 13:04
8."You Don't Love Me" [Cobbs] ? 19:24
9."Midnight Rider" [G. Allman] ? 2:55
Disc two
1."Hot 'Lanta" [D. Allman, G. Allman, Betts, Oakley, Johanson, Trucks] ? 5:20
2."Whipping Post" [G. Allman] ? 22:53
3."Mountain Jam" [Leitch, D. Allman, G.Allman, Betts, Oakley, Johanson, Trucks] ? 33:41
4."Drunken Hearted Boy" [Bishop] ? 6:54
codice:
http://www.mojofile.com/folder/3191/2119
codice:
http://www.mojofile.com/folder/3191/1380/
